J.H.Kulberg - Music for Media
&The music of Norwegian composer J.H.Kulberg has been signed to several U.S. and European production music libraries, such as 10 West Music, Warner Chappell Production Music and Amadea Music Productions.
Having transcended from being a Norwegian Grammy-nominated acoustic singer & songwriter into working with midi and samples in 2021, he has dived into orchestral music, trailer music, underscores and various other genres of production music.
His music has already been used by major networks such as Bloomberg, ITV, ZDF, Bayerischer Rundfunk, 9 Network Australia and RTL.
Kulberg is also a certified Taijiwuxigong teacher (Qi Gong), and occasionally releases music for energi exercises and meditation on his own label.
The world is facing massive challenges, and J.H.Kulberg is a proud member and supporter of Médecins Sans Frontières, Avaaz and Amnesty International.
Having transcended from being a Norwegian Grammy-nominated acoustic singer & songwriter into working with midi and samples in 2021, he has dived into orchestral music, trailer music, underscores and various other genres of production music.
His music has already been used by major networks such as Bloomberg, ITV, ZDF, Bayerischer Rundfunk, 9 Network Australia and RTL.
Kulberg is also a certified Taijiwuxigong teacher (Qi Gong), and occasionally releases music for energi exercises and meditation on his own label.
The world is facing massive challenges, and J.H.Kulberg is a proud member and supporter of Médecins Sans Frontières, Avaaz and Amnesty International.
Music for licencing - examples:
Discography:
«I started out on a Macintosh Classic with a Studio Vision sequencer, Akai floppy disk sampler and an 8 track Tascam 1/4 inch tape machine in the early nineties, and learned how to cut analogue tape the old way (with a razor blade). Working like this, took time. Although I appreciate all the new technology and the endless possibilities, I think working within these limitations, where every mistake would take a lot of time to correct, was valuable. It demanded a certain presence and focus when in the creative process, and this is something I try hard to maintain today.»
